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RICHARD GALLIANO NEW JAZZ MUSETTE
Victor Gridin Waltz 'Sparkled Torrent' S.B. Accordion, 3.00. Richard Galliano 'Tango Pour Claude' S.B.Accordion, 4.00. Nino Rota 'The Godfather Waltz' S.B. Accordion, a simple version, 3.00. Free Accordion Sheet Music.
∆анр: World Fusion, Jazz
√од издани€: 2017
»здатель (лейбл): Ponderosa Music&Art
—трана исполнител€ (группы): France
јудиокодек: FLAC (*.flac)
“ип рипа: tracks
Ѕитрейт аудио: lossless
ѕродолжительность: 46:07 + 39:20
»сточник (релизер): WEB
Ќаличие сканов: front
“реклист:
C' 1. A French Touch
D' 2. Billie
1' 3. Coloriage
' ' 4. Nice Blues
' ' 5. Ballade Pour Marion
' ' 6. Fou Rire
' ' 7. Giselle
' ' 8. Laurita
' ' 9. Love Day
C' 1. Waltz For Nicky
D' 2. Ten Years Ago
2' 3. Tango Pour Claude
' ' 4. Viaggio
' ' 5. Lili
' ' 6. Beritwaltz
' ' 7. Spleen
' ' 8. Azul Tango
' ' 9. Aurore
Already 30 years that his first album as a band leader, ЂSpleenї, was released with the УNew MusetteФ Quartet.
Already 30 years that he restored the image of a so called old fashioned instrument, bound to play for Saturday nights ballrooms!
Already 30 years that he is navigating in all kinds of musical styles, flirting with salsa, merging with tango, without losing his soul, deeply anchored in his French-Italian roots.
Only 5 years on the other hand that Richard Galliano started to express his incredible talent in the nest of classical music. One best-seller on the label Deutsche Grammophon with the СBach ProjectТ, then a tribute to Nino Rota and the Vivaldi УFour SeasonsФ, all titles released by the prestigious German label. Got even an award at the French УVictoires de la MusiqueФ in 2014, as a composer.
Richard Galliano has chosen to celebrate his 30 years of career with his friends and gifted musicians:
УI consider my record УSpleenФ (1985) as my first УNew MusetteФ project. 30 years after ЕitТs with that spirit that I feel like performing again my favourite compositions and introduce the УNew Jazz MusetteФ The УMusetteФ is an old Italo/French style that makes Jazz musicians so ironically reluctant and afraid....
However the УMusetteФ (java, waltz Е) in France, like the УBluesФ in the States and the УTangoФ in Argentina appeared all around the world at the same period of time, the beginning of the 20th Century. Those styles are all the fruits and the fusion of a human and cultural blend: Italians and French musicians for УMusetteФ, Italians and Argentinians for УTangoФ, Africans and Americans for УBluesФ. All those migrants, far from their motherland, cried through a new musical form, mixing rage and melancholia , so was the УBluesФ in US, so was the УMilongaФ in Argentina, so was the suburb complaints of the УMusetteФ in France.
УPiaf is the biggest Blues singerФ said Louis Armstrong.
Nowadays, I create and recreate the УNew MusetteФ because I feel that this music cannot be performed like in those years of the 30Тs. I am playing this music now by joining in my strongest influences: PIAZZOLLA, COLTRANE, BILL EVANS, DEBUSSYЕ
Already 30 years that he restored the image of a so called old fashioned instrument, bound to play for Saturday nights ballrooms!
Already 30 years that he is navigating in all kinds of musical styles, flirting with salsa, merging with tango, without losing his soul, deeply anchored in his French-Italian roots.
Only 5 years on the other hand that Richard Galliano started to express his incredible talent in the nest of classical music. One best-seller on the label Deutsche Grammophon with the СBach ProjectТ, then a tribute to Nino Rota and the Vivaldi УFour SeasonsФ, all titles released by the prestigious German label. Got even an award at the French УVictoires de la MusiqueФ in 2014, as a composer.
Richard Galliano has chosen to celebrate his 30 years of career with his friends and gifted musicians:
УI consider my record УSpleenФ (1985) as my first УNew MusetteФ project. 30 years after ЕitТs with that spirit that I feel like performing again my favourite compositions and introduce the УNew Jazz MusetteФ The УMusetteФ is an old Italo/French style that makes Jazz musicians so ironically reluctant and afraid....
However the УMusetteФ (java, waltz Е) in France, like the УBluesФ in the States and the УTangoФ in Argentina appeared all around the world at the same period of time, the beginning of the 20th Century. Those styles are all the fruits and the fusion of a human and cultural blend: Italians and French musicians for УMusetteФ, Italians and Argentinians for УTangoФ, Africans and Americans for УBluesФ. All those migrants, far from their motherland, cried through a new musical form, mixing rage and melancholia , so was the УBluesФ in US, so was the УMilongaФ in Argentina, so was the suburb complaints of the УMusetteФ in France.
УPiaf is the biggest Blues singerФ said Louis Armstrong.
Nowadays, I create and recreate the УNew MusetteФ because I feel that this music cannot be performed like in those years of the 30Тs. I am playing this music now by joining in my strongest influences: PIAZZOLLA, COLTRANE, BILL EVANS, DEBUSSYЕ
Richard Galliano - accordion
Sylvain Luc - guitar
Philippe Aerts - double bass
André Ceccarelli - drums
Sylvain Luc - guitar
Philippe Aerts - double bass
André Ceccarelli - drums
Surman performing in Birdland, 2 September 2009 | |
Background information | |
---|---|
Birth name | John Douglas Surman |
Born | 30 August 1944 (age 75) Tavistock, Devon, England |
Genres | Jazzavant-garde, free jazz, modal jazz |
Occupation(s) | Musician, composer, arranger |
Instruments | Baritone saxophone, soprano saxophone, bass clarinet, synthesizer |
Years active | 1960s–present |
Labels | Deram, Dawn, ECM |
Associated acts | John McLaughlin, Barre Phillips, Stu Martin, John Warren, John Potter |
Website | www.johnsurman.com |
John Douglas Surman (born 30 August 1944) is an English jazz saxophone, bass clarinet, and synthesizer player, and composer of free jazz and modal jazz, often using themes from folk music. He has composed and performed music for dance performances and film soundtracks.[1]
- 3Discography
Life and career[edit]
John Surman at the 2017 Oslo Jazz Festival
Surman was born in Tavistock, Devon. He initially gained recognition playing baritone saxophone in the Mike Westbrook Band in the mid-1960s, and was soon heard regularly playing soprano saxophone and bass clarinet as well.[1] His first playing issued on a record was with the Peter Lemer Quintet in 1966. After further recordings and performances with jazz bandleaders Mike Westbrook and Graham Collier and blues-rock musician Alexis Korner,[2] he made the first record under his own name in 1968.
In 1969 he founded the well-regarded and influential group The Trio along with two expatriate American musicians, bassist Barre Phillips and drummer Stu Martin.[3] In the mid-1970s he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist Mike Osborne and tenor saxophonist Alan Skidmore. During this early period he also recorded with (among others) saxophonist Ronnie Scott, guitarist John McLaughlin, bandleader Michael Gibbs, trombonist Albert Mangelsdorff, and pianist Chris McGregor's Brotherhood of Breath.[4]
By 1972 he had begun experimenting with synthesizers. That year he recorded Westering Home, the first of several solo projects on which he played all parts himself via overdubbing. He recorded his final album with Mike Westbrook, Citadel/Room 315 in 1975.[1]
Many of the musical relationships he established during the 1970s have continued to the present. These include a quartet with pianist John Taylor, bassist Chris Laurence, and drummer John Marshall; duets and other projects with Norwegian singer Karin Krog; and duets and other projects with American drummer/pianist Jack DeJohnette.[1]
His relationship with ECM Records has also been continuous from the late 1970s to the present, as Surman has recorded prolifically for the label playing bass clarinet, recorders, soprano and baritone saxophones and using synthesisers, both solo and with a wide range of other musicians.
In recent years he has composed several suites of music that feature his playing in unusual contexts, including with church organ and chorus (Proverbs and Songs, 1996); with a classical string quintet (Coruscating); and with the London Brass and Jack DeJohnette (Free and Equal, 2001). He has also played in a unique trio with Tunisian oud-player Anouar Brahem and bassist Dave Holland (Thimar, 1997); has performed the songs of John Dowland with singer John Potter formerly of the Hilliard Ensemble; and made contributions to the drum and bass album Disappeared by Spring Heel Jack.
Other musicians he has worked with include bassist Miroslav Vitous, bandleader Gil Evans, pianist Paul Bley and Vigleik Storaas, saxophonist (and composer) John Warren, guitarists Terje Rypdal and John Abercrombie and trumpeter Tomasz Stańko.
Awards and honors[edit]
- 1999: Spellemannprisen in the category Jazz, with Karin Krog for the album Bluesand
- 2013: Spellemannprisen in the category Jazz, with Karin Krog for the album Songs About This and That
Discography[edit]
As leader[edit]
- John Surman (Deram, 1969)
- How Many Clouds Can You See? (Deram, 1970)
- Tales of the Algonquin with John Warren (Deram, 1971)
- Where Fortune Smiles with John McLaughlin, Dave Holland, Stu Martin, Karl Berger (Dawn, 1971)
- Westering Home (Island, 1972)
- Jazz in Britain '68-'69 with Alan Skidmore, Tony Oxley (Decca Eclipse, 1972)
- John Surman (Jazz Vogue, 1974)
- Live at Moers Festival with Tony Levin (Ring, 1975)
- Live at Woodstock Town Hall (Dawn, 1975)
- Sonatinas with Stan Tracey (Steam, 1978)
- Upon Reflection (ECM, 1979)
- Cloud Line Blue with Karin Krog (Polydor, 1979)
- The Amazing Adventures of Simon Simon (ECM, 1981)
- Such Winters of Memory (ECM, 1983)
- Withholding Pattern (ECM, 1985)
- Private City (ECM, 1988)
- Road to Saint Ives (ECM, 1990)
- Adventure Playground (ECM, 1992)
- The Brass Project with John Warren (ECM, 1993)
- Stranger than Fiction (ECM, 1994)
- Nordic Quartet with Karin Krog, Terje Rypdal and Vigleik Storaas (ECM, 1995)
- A Biography of the Rev. Absalom Dawe (ECM, 1995)
- Proverbs and Songs (ECM, 1997)
- Bluesand with Karin Krog (Meantime, 1999)
- Coruscating (ECM, 2000)
- Invisible Nature with Jack DeJohnette (ECM, 2002)
- Free and Equal (ECM, 2003)
- Way Back When (Cuneiform, 2005)
- The Spaces in Between (ECM, 2007)
- Rain on the Window with Howard Moody (ECM, 2008)
- Brewster's Rooster (ECM, 2009)
- Flashpoint: NDR Jazz Workshop (Cuneiform, 2011)
- Saltash Bells (ECM, 2012)
- Songs About This and That with Karin Krog (Meantime, 2013)
- Another Sky (Grappa, 2014)
- Infinite Paths with Karin Krog (Meantime, 2016)
- Invisible Threads (ECM, 2018)
As sideman[edit]
With Paul Bley
- 1986 Fragments (ECM)
- 1988 The Paul Bley Quartet (ECM)
- 1993 In the Evenings Out There (ECM)
With Graham Collier
- 2005 Workpoints (Cuneiform)
- 2007 Hoarded Dreams (Cuneiform)
With Christine Collister
- 1998 The Dark Gift of Time (Fledg'ling)
- 2000 Songbird
- 2001 An Equal Love
With Michael Gibbs
- 1970 Michael Gibbs (Deram)
- 1971 Tanglewood 63 (Deram)
- 2018 Festival 69 (Turtle)
With Per Husby
- 1987 Your Eyes
- 1990 Dedications (Hot Club)
With Alexis Korner
- 1970 Both Sides
- 1979 The Party Album
- 1981 Alexis Korner and Friends
With Karin Krog
- 1986 Freestyle (Odin)
- 2002 Raindrops, Raindrops
- 2010 Folkways (Meantime)
With Chris McGregor
- 1970 Chris McGregor's Brotherhood of Breath
- 2008 Up to Earth (Fledg'ling)
With John McLaughlin
- 1969 Extrapolation
- 1971 Where Fortune Smiles
With Mike Osborne and Alan Skidmore
- 1972 Shapes
- 1974 Looking for the Next One
- 1975 SOS
With Barre Phillips
- 1976 Mountainscapes (ECM)
- 1980 Journal Violone II (ECM)
- 1980 Music by... (ECM)
With John Potter
- 1999 In Darkness Let Me Dwell (ECM)
- 2003 Care-Charming Sleep (ECM)
- 2008 Romaria
- 2013 Night Sessions
With Colin Towns
- 1993 Mask Orchestra (The Jazz Label)
- 1997 Bolt from the Blue (Provocateur)
With Miroslav Vitous
- 1980 First Meeting (ECM)
- 1981 Miroslav Vitous Group (ECM)
- 1983 Journey's End (ECM)
With Mike Westbrook
- 1967 Celebration (Deram)
- 1968 Release (Deram)
- 1969 Marching Song Vol. 1 (Deram)
- 1969 Marching Song Vol. 2 (Deram)
- 1975 Citadel/Room 315 (RCA)
- 2018 The Night at the Old Place (Cadillac)
With others
- 1968 Local Colour, Peter Lemer (ESP Disk)
- 1969 Gittin' to Know You, Lester Bowie
- 1970 Flare Up, Harry Beckett (Philips)
- 1971 Going to the Rainbow, Rolf Kuhn (BASF)
- 1971 Duke Ellington Classics, Humphrey Lyttelton (Black Lion)
- 1972 Bass Is, Peter Warren (Enja)
- 1979 In Pas(s)ing, Mick Goodrick (ECM)
- 1983 Irina, Barry Altschul (Soul Note)
- 1988 Meets the Francy Boland Kenny Clark Big Band, Gitte Haenning
- 1992 Ambleside Days, John Taylor (Ah Um)
- 1993 November, John Abercrombie (ECM)
- 1993 Room 1220, Albert Mangelsdorff (Konnex)
- 1998 Thimar, Anouar Brahem (ECM)
- 1998 From the Green Hill, Tomasz Stańko (ECM)
- 1999 First Impression, Misha Alperin (ECM)
- 2000 Disappeared, Spring Heel Jack
- 2003 Le Cinema de Bartrand Tavernier, Philippe Sarde
- 2009 The Believers, J. Peter Robinson
- 2011 Nino Rota, Richard Galliano (Deutsche Grammophon)
References[edit]
- ^ abcd'John Surman Biography'. Musicolog.com.
- ^Conrad, Thomas (6 September 2005). 'John Surman:Listen and Trustl'. All About Jazz. Retrieved 20 July 2010.
- ^Kelman, John (30 May 2005). 'CD/LP Review: Way Back Whenl'. All About Jazz. Retrieved 20 July 2010.
- ^Cotterrell, Roger. ‘John Surman: Perpetual Motion’ Jazz Forum 76 (March 1982), 25-29.
External links[edit]
Wikimedia Commons has media related to John Surman. |
- Official website
- John Surman discography at Discogs
Awards | ||
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Preceded by Espen Rud Sextett | Recipient of the Jazz Spellemannprisen 1999 | Succeeded by Petter Wettre and Per Oddvar Johansen |
Preceded by Sidsel Endresen and Stian Westerhus | Recipient of the Jazz Spellemannprisen 2013 | Succeeded by Marius Neset and Trondheim Jazz Orchestra |
Retrieved from 'https://en.wikipedia.org/w/index.php?title=John_Surman&oldid=928434986'
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